bio

biography

My name is Lee Wagstaff I was born in 1969 in Essex.

I am an English artist based in Berlin, working across drawing, installation, and image-based practices. My work investigates how perception becomes unstable when images resist immediate recognition, and how sustained looking alters the relationship between attention, form, and meaning. Using geometric abstraction, repetition, and latent figuration, I construct visual situations in which images hover at the threshold of legibility, appearing and dissolving as the viewer’s attention shifts over time.

I studied at Central Saint Martins College of Art and Design and the Royal College of Art in London, and at Kyoto City University of Arts in Japan. My work has been exhibited internationally in gallery, museum, and performance contexts. In 2007 I co-founded the artist-led project space RISE berlin, where I worked as director and curator until 2013. My practice has often engaged the body as both subject and material, from large-format self-portraiture to print-based works, including Shroud, a self-portrait screen print made using my own blood, later included in Impressions of the Century – 100 Years of the Fine Art Print at the Victoria and Albert Museum. Across these projects, my interest has remained consistent: to test how images/patterns organise attention, and how meaning emerges through duration rather than instant recognition.

“The emergence of Lee’s image on the Shroud elevates him to the status of a surrogate divine seemingly without the intervention of God. It comes off as both disquietingly heroic and at the same time spiritually arrogant”
David Bowie

statement

I’m interested in how systems shape the conditions of seeing. Rather than illustrating theories of perception, my work builds situations that organise attention and delay resolution, so that seeing becomes something you have to stay with. The thinking happens through the experience itself.

c.v.

Education

  • Postgraduate Research Royal College of Art (2014-2015)
  • Australian Stunt Academy (2001)
  • MA Royal College of Art, London, England (1998-2000)
  • Kyoto City University of Art, Kyoto, Japan (1999)
  • BA (Hons) Central St.Martins College of Art and Design (1992)

Solo Exhibition

Group Exhibitions

Awards, Fellowships and Residencies

  • Frans Masereel Print Centre – Research Residency (June 2013)
  • Royal College of Art Printmaking Research Fellow (2000-2001)
  • Waterstone – RCA Award (2000)
  • Kyoto City University of Art – Travel Award (1999)

Collections

  • Victoria & Albert Museum
  • David Bowie Collection
  • RCA print archive
  • Various private collections in Turkey, Japan, India, USA and throughout Europe

Commissions / Collaborations

  • ‘Flesh and God’ A Dialogue Between Contemporary Artists and The Catholic Church of France (2003)
  • Karlheinz Weinberger- new publication (2003)
  • BowieArt Print Project (2001)
  • Mercedes Benz/Esquire C-Class Commission (2000)

Lecturing / Teaching

  • The Slade School of Fine Art
  • University of East London
  • Winchester School of Art
  • Royal Academy of Arts School
  • The Royal College of Art
  • Alberta College of Art & Design
  • Surrey Institute of Art & Design
  • The Minories Colchester
  • Kobe Art Village
  • The Victoria & Albert Museum

Bibliography

  • Screenprints: A History, Gill Saunders, V&A Museum. ISBN-10: 0500481016.
  • Le Christ au miroir de la photographie contemporaine, Nathalie Dietschy, Editions Alphil, 2016. ISBN: 978-2-88930-088-4
  • Skull Sourcebook, A. Nozedar, Race Point, 2015. ISBN: 978-1631061585.
  • Forever: The New Tattoo, R. Klanten, Gestalten, 2012. ISBN-10: 3899554426.
  • Lingering Whispers, Predrag Pajdic, The Pandorian, 2010. ISBN: 978-0-9553309-1-9.
  • 100,000 Years of Beauty, Elizabeth Azouley, Gallimard, 2009. ISBN-10: 207012844X.
  • Prints Now: Direction and Definition, Gill Saunders & Rosie Miles, Victoria & Albert Museum, 2006. ISBN-13: 978-1851774807.
  • L’autoportrait au XXe siècle: Moi Je, par soi-même, Pascal Bonafoux, Diane de Selliers, 2004. ISBN: 2903656290.
  • Hidden Histories, Michael Petry, Art Media, 2004. ISBN: 190288910X.
  • A Guide to Ecstacity, Nigel Coates, Princeton Architectural Press, 2003. ISBN-10: 1568984243.
  • L’Église et l’art d’avant-garde: De la provocation au dialogue, Monsignor Albert Rouet & Gilbert Brownstone, 2003. ISBN: 22261135529.
  • ARS Erotica (reprint), Edward Lucie-Smith, 2003. ISBN: 084720602.
  • The Fourth Sex: Adolescent Extremes, edited by Francesco Bonami & Raf Simons, 2003. ISBN: 8881584042.
  • Tomorrow, Edward Lucie-Smith, 2002. ISBN: 0847820602.
  • Ornament and Abstraction: The Dialogue Between Non-Western, Modern & Contemporary Art, edited by Marcus Brüderlin, 2001. ISBN: 0300092261.
  • Impressions of the 20th Century: Fine Art Prints from the Victoria & Albert Museum Collection, edited by Margaret Timmers, 2001. ISBN: 1851773398.
  • Typical Men: The Male Body in Photographs by Men, Michael Watson, 2001.
  • Ambit 162, edited by Martin Bax & Eduardo Paolozzi, 2000. ISSN: 0002-6772.

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